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Contemporary Realism
Figurative Art

Contemporary realism
 

The contemporary realism movement is a worldwide style of painting which came into existence c. 1960s and early 1970s. Featuring a straightforward approach to representation practiced by artists such as Philip Pearlstein, Alex Katz, Jack Beal and Neil Welliver. The movement refers to figurative art works created in a natural yet highly objective style. Today the term Contemporary Realism encompasses all post-1970 sculptors and painters whose discipline is representational art, where the object is to portray the "real" and not the "ideal".

In Canada the realist movement found a strong following on the east coast in the Maritimes. The group of artists that became known as Maritime Realists developed at Mount Allison University which established the first degree granting Fine Arts program in the country. Alex Colville who taught in the Fine Arts program at Mount Allison is considered the leading figure in this movement, along with a number of his students including Christopher Pratt, Mary Pratt, Tom Forrestall, DP Brown and Nancy Stevens. Some Contemporary Realists, like Beal and Rackstraw Downes, began as trained abstract painters. (Abstract Expressionism had been well-established by c. 1960.) Rural artist enclaves (e.g., The Hamptons; areas of Maine) encouraged naturalistic imagery for some. Others shared approaches and methods of Photorealism. Some art schools, notably the Pennsylvania Academy of Fine Arts, have continued to nurture the legacy of 19th-century American Realist painting; Yale has seen a loose, inter-generational network of representational painters over the past few decades. The New York Academy of Art continues to further contemporary figurative art. A number of women artists have been prominently associated with stylistic variants of contemporary realism, including (not limited to) Jane Freilicher, Jane Wilson, Lois Dodd, Janet Fish, Catherine Murphy, Yvonne Jacquette, and Martha Mayer Erlebacher. Another woman contemporary realist is Ann Mikolowski, whose art explores representational technique in the context of photography, abstraction, and superrealism.
 

Figurative art, sometimes written as figurativism, describes artwork (particularly paintings and sculptures) that is clearly derived from real object sources and so is, by definition, representational. The term is often in contrast to abstract art:

Since the arrival of abstract art the term figurative has been used to refer to any form of modern art that retains strong references to the real world.

Painting and sculpture can therefore be divided into the categories of figurative, representational and abstract, although, strictly speaking, abstract art is derived (or abstracted) from a figurative or other natural source. However, "abstract" is sometimes used as a synonym of non-representational art and non-objective art, i.e. art which has no derivation from figures or objects.
 

Lucian Freud
1922 – 2011

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Reflection (Self-Portrait)
Lucian Freud
1985
 

Lucian Michael Freud
(8 December 1922 – 20 July 2011) was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933, when he was 10 years old, to escape the rise of Nazism. He became a British naturalized citizen in 1939. From 1942 to 1943 he attended Goldsmiths' College, London. He served at sea with the British Merchant Navy during the Second World War.

His early career as a painter was influenced by surrealism, but by the early 1950s his often stark and alienated paintings tended towards realism. Freud was an intensely private and guarded man, and his paintings, completed over a 60-year career, are mostly of friends and family. They are generally sombre and thickly impastoed, often set in unsettling interiors and urban landscapes. The works are noted for their psychological penetration and often discomforting examination of the relationship between artist and model. Freud worked from life studies, and was known for asking for extended and punishing sittings from his models.


 

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Francis Bacon
Lucian Freud
1952
 

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Girl with a White Dog
Lucian Freud
c.1951 - c.1952
 

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Woman in a White Shirt
Lucian Freud
1956 - 1957
 

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Pregnant Girl
Lucian Freud
1961
 

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Man's Head, Self Portrait
Lucian Freud
1963
 

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Red Haired Man on a Chair
Lucian Freud
1962 - 1963
 

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Michael Andrews and June
Lucian Freud
1965 - 1966
 

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Naked Girl
Lucian Freud
1966
 

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Naked Girl Asleep I
Lucian Freud
1967
 

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Naked Girl Asleep II
Lucian Freud
1968
 

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Large Interior, London W.9.
Lucian Freud
1973
 

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Naked Portrait
Lucian Freud
1972 - 1973
 

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Ali
Lucian Freud
1974
 

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Small Naked Portrait
Lucian Freud
1973 - 1974
 

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Annie and Alice
Lucian Freud
1975
 

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Frank Auerbach
Lucian Freud
1975 - 1976
 

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Naked Man with Rat
Lucian Freud
1977
 

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Night Portrait
Lucian Freud
1978
 

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The Painter's Daughter Ib
Lucian Freud
1977 - 1978
 

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Portrait of Rose
Lucian Freud
1978 - 1979
 

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Esther
Lucian Freud
1980
 

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Naked Man with his Friend
Lucian Freud
c.1978 - c.1980
 

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Naked Portrait with Reflection
Lucian Freud
1980
 

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Bella
Lucian Freud
1981
 

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Guy and Speck
Lucian Freud
1980 - 1981
 

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Naked Girl with Egg
Lucian Freud
1980 - 1981
 

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Naked Portrait
Lucian Freud
c.1980 - c.1981
 

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Head of a Man
Lucian Freud
1981 - 1982
 

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Bella
Lucian Freud
1982 - 1983
 

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Esther
Lucian Freud
1982 - 1983
 

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The Painter's Mother
Lucian Freud
1982 - 1984
 

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Blond Girl, Night Portrait
Lucian Freud
1980 - 1985
 

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Naked Portrait
Lucian Freud
c.1980 - c.1981
 

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Naked woman on a sofa
Lucian Freud
1984 - 1985
 

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Two Irishmen in W11
Lucian Freud
1984 - 1985
 

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Double Portrait
Lucian Freud
1985 - 1986
 

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Night Portrait
Lucian Freud
1985 - 1986
 

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Blonde Girl on a Bed
Lucian Freud
1987
 

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Painter and Model
Lucian Freud
1986 - 1987
 

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Standing by the Rags
Lucian Freud
1988
 

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Lying by the Rags
Lucian Freud
 

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Double Portrait
Lucian Freud
1985 - 1986
 

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Evening in the Studio
Lucian Freud
 

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Leigh under the Skylight
Lucian Freud
 

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Benefits Supervisor Sleeping (also known as Big Sue)
Lucian Freud
 

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Benefits Supervisor Sleeping II
Lucian Freud
 

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Girl Sitting in the Attic Doorway
Lucian Freud
 

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Portrait on a Grey Cover
Lucian Freud
 

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Sleeping by the Lion Carpet (also known as Sue Tilley)
Lucian Freud
 

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Annabel and Rattler
Lucian Freud
 

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Naked Portait and a Green Chair
Lucian Freud
 

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After Cezanne
Lucian Freud
 

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Night Portrait Face Down
Lucian Freud

 

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Man with Leg Up
Lucian Freud
 

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Resting on the Green Chair
Lucian Freud
 

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The Butcher's Daughter
Lucian Freud
 

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And the Bridegroom
Lucian Freud
 

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Julie and Martin
Lucian Freud
 

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Irish Woman on a Bed
Lucian Freud
 

Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 

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Lucian Freud
 





 

Charles Garabedian
1923 – 2016

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Charles Garabedian
(December 29, 1923 – February 11, 2016) was an American-Armenian artist known for his paintings and drawings rich in references to Greek and Chinese symbolism. His artwork reveals a deeply personal world that explores the relationship between painting and sculpture.

Man Tearing his Heart Out, oil on linen painting by Charles Garabedian, Honolulu Museum of Art
Garabedian was born in Detroit, Michigan, to Armenian immigrants who had come to the U.S. to escape the Armenian genocide. Garabedian's mother died when he was two and his father was unable to take care of the three children. Garabedian lived in an orphanage until age nine, when he, his father, and siblings moved to Los Angeles, California.

From 1942-1945, Garabedian served as a staff sergeant in the United States Air Force and was an aerial gunner in the European theater during World War II. Under the auspices of the G.I. Bill, Garabedian studied literature at the University of California, Santa Barbara from 1947 to 1948. He then went on to the University of Southern California in Los Angeles, where he earned a bachelor's degree in history in 1950. He received his master's degree in 1961 at the University of California Los Angeles. He did not, however, become an artist until later in his life.

When in his forties, Garabedian began to explore the relationships between painting and drawing. His fascination with China is reflected in many of his pieces incorporating dragons and ornate grillwork and pattern. Although his most prolific period was in the late 1960s, later in his life he still continued to paint. The first solo exhibition of his work was held at the Ceeje gallery in Los Angeles (1963) and subsequent one man shows followed at the Fine Arts Gallery at California State University, Northridge (1974), and The Whitney Museum of American Art, New York City (1976). His group exhibitions include the Whitney Museum of American Art Biennial Exhibition: Contemporary American Art, New York (1975) and others. In 1979, he was a recipient of a Guggenheim Fellowship for Fine Arts. In 2011, the Santa Barbara Museum of Art hosted a retrospective of Garabedian's work. He died on February 11, 2016, at the age of 92.


 

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Christ Under the Cross
Charles Garabedian
1963

 

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Jean Harlow
Charles Garabedian
1964
 

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Assassination
Charles Garabedian
1966
 

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Adam & Eve
Charles Garabedian
1974
 

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Prehistoric Figure
Charles Garabedian
1978 - 1980
 

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Prehistoric Figure
Charles Garabedian
1978 - 1980
 

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Prehistoric Figure
Charles Garabedian
Date: 1978 - 1980
 

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Prehistoric Figure
Charles Garabedian
1978 - 1980
 

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Prehistoric Figure
Charles Garabedian
1978 - 1980
 

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Prehistoric Figure
Charles Garabedian
1978 - 1980
 

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Ulysses
Charles Garabedian
1986
 

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Charles Garabedian
Bathers
 

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Man Tearing His Heart Out
Charles Garabedian
 

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Charles Garabedian,
“Prometheus”
 

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Charles Garabedian,
“You Should Have Looked at Me” 
 

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Charles Garabedian,
“The Eunuch”
 

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Charles Garabedian
Sacrifice for the Fleet
 

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Charles Garabedian
Clytemnestra & Iphigenia
 

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Charles Garabedian
Antigone and Polynices
 

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Charles Garabedian,
Atop Olympus
 

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Charles Garabedian
Adam and Eve
1979–1980





 

Philip Pearlstein
1924 – 2022

Philip Pearlstein
(May 24, 1924 – December 17, 2022) was an American painter best known for Modernist Realist nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art.
Pearlstein was born on May 24, 1924, in Pittsburgh, Pennsylvania, to David and Libby Kalser Pearlstein. During the Great Depression, his parents sold chickens and eggs to support the family. As a child his parents supported his interest in art, sending him to Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. He graduated from Taylor Allderdice High School in 1942.

In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted in 1943 by the U.S. Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams, and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice, and Milan, and also produced over 100 drawings and watercolors depicting life in the Army

In 1946, sponsored by the GI Bill, he returned to Carnegie Institute where one of his fellow students was the artist's future wife, Dorothy Cantor. Another fellow student was Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, his high school paintings having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog work, while Warhol immediately found work illustrating department store catalogs. In April 1950, they moved to 323 W. 21st Street, into an apartment rented by Franziska Marie Boas, who ran a dance class on the other side of the room. During this time, Pearlstein painted a portrait of Warhol, now held by the Whitney Museum of American Art.
In 1950, Philip Pearlstein married Dorothy Cantor, with Andy Warhol in the wedding party. The Pearlsteins moved to East 4th Street, taking over an apartment from fellow figure painter Lester Johnson, and Philip enrolled in the Masters in Art History program at New York University Institute of Fine Arts. His thesis was on artist Francis Picabia, evaluating Cubism, Abstract art, Dada and Surrealism, graduating in 1955.

After graduation, he was hired by Life magazine to do page layouts, and was then awarded a Fulbright Hays fellowship, enabling him to return to Italy for a year, where he painted a series of landscapes.[21] From 1959 to 1963, he was an instructor at Pratt Institute, in Brooklyn, New York, and subsequently spent a year as a Visiting Critic at Yale University in New Haven, Connecticut. Finally, from 1963 to 1988, he was professor, and then Distinguished Professor Emeritus at Brooklyn College, in Brooklyn, New York.

 

Career

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Philip Pearlstein. Self portrait

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 

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Philip Pearlstein

 




 

Botero
1932 – 2023

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Botero

 

Botero
Fernando Botero Angulo(19 April 1932 – 15 September 2023) was a Colombian figurative artist and sculptor. His signature style, also known as "Boterismo", depicts people and figures in large, exaggerated volume, which can represent political criticism or humor, depending on the piece. He was considered the most recognized and quoted artist from Latin America in his lifetime, and his art can be found in highly visible places around the world, such as Park Avenue in New York City and the Champs-Élysées in Paris, at different times.

Self-styled "the most Colombian of Colombian artists", Botero came to national prominence when he won the first prize at the Salón de Artistas Colombianos in 1958. He began creating sculptures after moving to Paris in 1973, achieving international recognition with exhibitions around the world by the 1990s. His art is collected by many major international museums, corporations, and private collectors. In 2012, he received the International Sculpture Center's Lifetime Achievement in Contemporary Sculpture Award.



 

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Fernando Botero
 

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Mona Lisa at the Age of Twelve Years
Fernando Botero
1959

 

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The Study of Vermeer
Fernando Botero
1964

 

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Pope Leo X (after Raphael)
Fernando Botero
1964

 

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Madonna with Child
Fernando Botero
1965

 

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Rubens and His Wife
Fernando Botero
1965

 

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The Family
Fernando Botero
1966

 

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Picnic in the Mountains
Fernando Botero
1966

 

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Ecce Homo
Fernando Botero
1967

 

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Kitchen Table
Fernando Botero
1967

 

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Adam and Eve 
Fernando Botero
1968

 

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Children Fortunes
Fernando Botero
1968

 

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Marie Antoinette
Fernando Botero
1968

 

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Luncheon on the Grass
Fernando Botero
1969

 

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Protestant family
Fernando Botero
1969

 

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Man Who Went to the Office
Fernando Botero
1969

 

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Lovers
Fernando Botero
1969

 

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Family Scene
Fernando Botero
1969

 

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Happy Birthday
Fernando Botero
1971

 

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Concert in the Countryside
Fernando Botero
1971

 

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The Toilet in the Morning
Fernando Botero
1971

 

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Tribute to Bonnard
Fernando Botero
1972

 

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Woman Stapling Her Bra
Fernando Botero
1976

 

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Woman Sitting
Fernando Botero
1976

 

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Woman with Flowers
Fernando Botero
1976

 

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Still Life with Coffee Pot
Fernando Botero
1977

 


 

Jerzy Duda-Gracz
1941 – 2004

Jerzy Duda-Gracz
(March 20, 1941 in Częstochowa – November 5, 2004 in Łagów) was a Polish painter.

He graduated from the Academy of Fine Arts in Kraków in 1968. His work was exhibited in over 187 national and international exhibitions and can be seen at the Polish National Museum in Warsaw, in the museum of the Jagellonian University in Kraków, in the Collegium Maius, the Museum of Earth at the Polish Academy of Sciences in Warsaw, the Uffizi Gallery in Florence, the Pushkin Museum in Moscow, the Municipal Museum in Ghent, the BAWAG Foundation in Vienna, the Vatican Collection and in galleries and collections in many other countries such as the Louvre in France.

 

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Jerzy Duda-Gracz
Self Portrait

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 

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Jerzy Duda-Gracz

 




 

Rolf Ohst
b. 1952

Rolf Ohst
b. 1952.
According to our data, Rolf Ohst is a contemporary artist. Rolf Ohst is a german male artist born in Lübeck (DE) in 1952.

Rolf Ohst’s first verified exhibition was Rolf Ohst - die Welle at Galerie Frenhofer in Berlin in 2007, and the most recent exhibition was The Endless Summer at Galeria HMH in Mallorca in 2023. Rolf Ohst is most frequently exhibited in Germany, but also had exhibitions in Spain, Austria. Ohst has at least two solo shows and 21 group shows over the last 16 years (for more information, see biography). Ohst has also been in no less than two art fairs but in no biennials. A notable show was Eros & Thanatos at Werkschauhalle in Leipzig in 2012. Other notable shows were at Kunsthalle am Hamburger Platz in Berlin and NordArt - Kunst in der Carlshütte in Büdelsdorf. Rolf Ohst has been exhibited with Guido Sieber and Mirko Schallenberg. Rolf Ohst’s art is in at least two museum collections, at Galerie Frenhofer in Berlin and SØR Rusche Sammlung Oelde/Berlin in Oelde-Stromberg.

Rolf Ohst is ranked among the Top 100,000 globally, and among the Top 10,000 in Germany. Ohst’s best rank was in 2013, the artist’s rank has improved over the last 3 years, with the most dramatic change in 2009. For a complete illustration of the artist’s career since 2007, please see the career chart on the trends page.

 

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Rolf Ohst

 

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Rolf Ohst

 

Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst

 

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Rolf Ohst


 



 

Viktor Lyapkalo
b.1956

Viktor Lyapkalo
Viktor Alexandrovich Lyapkalo (Russian: Виктор Александрович Ляпкало, 18 September 1956, Komi Republic) is a Russian and Soviet painter, who lives and works in Saint Petersburg.
Viktor Alexandrovič Lyapkalo was born on 18 September 1956 in Uchta, Komi Republic. He graduated in 1978 from the Art School of Saratov. From 1979 to 1987 he studied at the Saint Petersburg Academy of Arts and had as teachers Vladimir Gorb and Viktor Reichet. He graduated from this institute, completing the work White Night as part of his undergraduate studies. He specialized in landscapes and nudes.

 

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Viktor Lyapkalo
Self Portrait

 

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Viktor Lyapkalo
Self Portrait

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 

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Viktor Lyapkalo

 



 

Nicole Sleeth

Nicole Sleeth
Nicole Sleeth is a Canadian figurative oil painter whose work centers the female gaze as an exploration of power, connection, and lived experience. She brings a classical understanding of the human form and oil painting to her contemporary representations of the nude female figure.

 

Sleeth explores themes of intimacy, desire, gender and sexuality, body image, and self-consciousness. Her works create a powerful tension between the real and the ideal, calling into question the expectations imposed on women, both externally and from within. They demonstrate a longing for a liberated self, at times competing with an acute awareness of the viewer and the viewed. Subtle, shimmering skin tones create a sense of tactile closeness, with large-scale paintings taking on a commanding bodily presence.

 

Since 2010, Sleeth’s paintings have been exhibited in Canada and the United States, showing alongside works by Lucien Freud and Alex Colville, among others. Her work is in private collections in Canada, the United States, England, Argentina, and Singapore. She lives and works in Carbonear, Newfoundland.



 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth

 

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Nicole Sleeth






 

John Currin
b.1962

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John Currin
(born 1962) is an American painter based in New York City. He is most recognised for his technically proficient satirical figurative paintings that explore controversial sexual and societal topics. His work shows a wide range of influences, including sources as diverse as the Renaissance, popular culture magazines, and contemporary fashion models. He often distorts or exaggerates the erotic forms of the female body, and has stressed that his characters are reflections of himself rather than inspired by real people.
 

American painter John Currin intertwines the beautiful and grotesque with equal measure in his caricatures of lusty, doe-eyed female figures often portrayed in gross proportions that both enchant and repel. Drawing on a broad range of cultural influences from Renaissance oil paintings to 1950s women’s magazine ads and contemporary politics and pornography, his work is notable for its mix of technical virtuosity with mash-ups of high and low culture.

Since the 1990s, John Currin has reigned as one of the art world's greatest provocateurs residing on the double-edged sword of desire and disgust. His work, which mingles an early training in classical painting with a decidedly American palate for the absurdity found in kitsch, presents figurative portraits, often nude, that reflect the perversity within our culture's obsession with beauty and perfection. Although he is often accused of misogynistic tendencies due to his jarring subject matter, he contends his presentations are intended as satirical references to society's ever-present barrage of the elusive "ideal" fed to us through art history, media, advertising, and the glossy pages of magazines. 


 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 

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John Currin

 


 

Jenny Saville
b.1970

Jenny Saville
Jennifer Anne Saville RA (born 7 May 1970) is a contemporary British painter and an original member of the Young British Artists. Saville works and lives in Oxford, England and she is known for her large-scale painted depictions of nude women. Saville has been credited with originating a new and challenging method of painting the female nude and reinventing figure painting for contemporary art. Some paintings are of small dimensions, while other are of much larger scale. Monumental subjects come from pathology textbooks that she has studied that informed her on injury to bruise, burns, and deformity. John Gray commented: "As I see it, Jenny Saville's work expresses a parallel project of reclaiming the body from personality. Saville worked with many models who under went cosmetic surgery to reshape a portion of their body. In doing that, she captures "marks of personality for the flesh" and together embraces how we can be the writers of our own lives."


 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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Jenny Saville

 

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